From Wikipedia, the free encyclopedia
Rock music is a form of popular music with a prominent vocal melody accompanied by guitar, drums, and bass. Many styles of rock music also use keyboard instruments such as organ, piano, or synthesizers. Other instruments sometimes utilized in rock include harmonica, violin, flute, banjo and less common stringed instruments such as mandolin and sitar. Rock music usually has a strong back beat, and often revolves around guitar, either electric or acoustic.
Rock music has its roots in 1940s and 1950s rock and roll and rockabilly, which evolved from blues, country music and other influences. According to All Music Guide, "In its purest form, Rock & Roll has three chords, a strong, insistent back beat, and a catchy melody. Early rock & roll drew from a variety of sources, primarily blues, R&B, and country, but also gospel, traditional pop, jazz, and folk. All of these influences combined in a simple, blues-based song structure that was fast, danceable, and catchy."[1]
In the late 1960s, rock music was blended with folk music to create folk rock, blues to create blues-rock and with jazz, to create jazz-rock fusion, and without a time signature to create psychedelic rock. In the 1970s, rock incorporated influences from soul, funk, and latin music. Also in the 1970s, rock developed a number of subgenres, such as soft rock, heavy metal, hard rock, progressive rock, and punk rock. Rock subgenres that emerged in the 1980s included synth-rock, hardcore punk and alternative rock. In the 1990s, rock subgenres included grunge, Britpop, indie rock, and nu metal.
The mid-1950s-early 1960s
Early British rock
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Main article: British rock
In the United Kingdom the trade jazz movement brought visiting blues music artists to Britain, While BAC was developing the Concorde, Lonnie Donegan's 1955 hit "Rock Island Line" was a major influence, and helped to develop the trend of skiffle music groups throughout the country, including John Lennon's the Quarry Men, the 1957 precursor to The Beatles. Britain developed a major rock and roll scene, without the race barriers which kept "race records" or rhythm and blues separate in the U.S.
Cliff Richard had the first British rock 'n' roll hit with "Move It", effectively ushering in the sound of British rock. At the start of the 1960s, his backing group The Shadows was one of a number of groups having success with surf music instrumentals. And while rock 'n' roll was fading into lightweight pop and schmaltzy ballads, at clubs and local dances British rock groups, heavily influenced by blues-rock pioneers like Alexis Korner, were starting to play with an intensity and drive seldom found in white American acts.
By the end of 1962, the British rock scene had started, with groups drawing on a wide range of American influences including soul music, rhythm and blues and surf music. Initially, they reinterpreted standard American tunes, playing for dancers doing the twist, for example. These groups eventually infused their original rock compositions with increasingly complex musical ideas.
The Beatles brought together an appealing mix of image, songwriting and personality, and achieved an unprecedented level of worldwide popularity. In mid-1962 The Rolling Stones started as one of a number of groups increasingly showing blues influence, along with The Animals and The Yardbirds. In late 1964, The Kinks, The Who and The Pretty Things represented the new Mod style. Towards the end of the decade, British rock groups began to explore psychedelic musical styles that made reference to the drug subculture and hallucinogenic experiences.
After their initial success in the UK, the Beatles launched a large-scale US tour to a frenzy of fan interest known as Beatlemania, which spread worldwide with the Beatles' first visit to the US in 1964 including their debut on the Ed Sullivan Show on 9 February 1964. In the wake of Beatlemania, other British bands headed to the US, notably the Rolling Stones, the Animals, and the Yardbirds.
1960s garage rock
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Main article: Garage rock
The British Invasion spawned a wave of imitators that played mainly to local audiences and made inexpensive recordings, a movement later called garage rock. Some music from this trend is included in the compilation album Nuggets. Some of the better known bands of this genre include The Sonics, Question Mark & the Mysterians, and The Standells.
1960s Surf music
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The rockabilly sound influenced a wild, mostly instrumental sound called surf music, though surf culture saw itself as a competing youth culture to rock and roll. This style, exemplified by Dick Dale and The Surfaris, featured faster tempos, innovative percussion, and reverb- and echo-drenched electric guitar sounds. In the UK, British groups included The Shadows. Other West Coast bands, such as The Beach Boys and Jan and Dean slowed the tempos down and added lush harmony vocals to create what became known as the "California Sound".
Rock as a counterculture movement (1963-1974)
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Main article: Counterculture
In the late 1950s the US beatnik counterculture was associated with the wider anti-war movement building against the threat of the atomic bomb, notably CND in Britain. Both were associated with the jazz scene and with the growing folk song movement.
Folk rock
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Main articles: Bob Dylan and Folk rock
The folk scene was made up of folk music lovers who liked acoustic instruments, traditional songs, and blues music with a socially progressive message. The folk genre was pioneered by Woody Guthrie. Bob Dylan came to the fore in this movement, and his hits with Blowin' in the Wind and Masters of War brought "protest songs" to a wider public.
The Byrds, who playing Bob Dylan's Mr. Tambourine Man, helped to start the trend of folk rock, and helped to stimulate the development of psychedelic rock. Dylan continued, with his "Like a Rolling Stone" becoming a US hit single. Neil Young's lyrical inventiveness and wailing electric guitar attack created a variation of folk rock. Other folk rock artists include Simon & Garfunkel, Joan Baez, The Mamas & the Papas, Joni Mitchell, Bobby Darin and The Band.
In Britain, Fairport Convention began applying rock techniques to traditional British folk songs, followed by groups such as Steeleye Span, Lindisfarne, Pentangle, and Trees. Alan Stivell in Brittany had the same approach.
Psychedelic rock
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Psychedelia began in the folk scene, with the Holy Modal Rounders introducing the term in 1964. With a background including folk and jug band music, the Grateful Dead fell in with Ken Kesey's LSD fuelled Merry Pranksters, playing at their Acid Tests then providing an electric acid rock soundtrack to their Trips Festival of January 1966, together with Big Brother & the Holding Company.
The Fillmore was a regular venue for groups like another former jug band, Country Joe and the Fish, and Jefferson Airplane. Elsewhere, The Byrds had a hit with Eight Miles High. The 13th Floor Elevators titled their album The Psychedelic Sounds of the 13th Floor Elevators. The music increasingly became associated with opposition to the Vietnam War.
In England, Pink Floyd had been developing psychedelic rock since 1965 in the